Looks like another sell out!
31/03/2009We always knew last year’s production of ‘The Boyfriend’ was going to be a hard act to follow. Well we think we might just have the answer, and, if ticket sales are anything to go by, ‘Guys and Dolls’ already looks like another winner.
Everybody involved in the show has really been enjoying the experience: it’s clear the cast and directors have been taking it all very seriously and rehearsals have revealed some sublime performances.
We are expecting a review of the show fairly soon and possibly some more photos. Until then, here’s the cast tuning up for the performance.
If you saw the show, please give us some feedback by leaving a comment at the foot of this article.
Now, thanks to Tom Poole for the following review:
Guys and Dolls
Performed by the WBS Musical Theatre Company
By Tom Poole
Frank Loesser’s ‘Guys and Dolls’ was performed by the WBS Musical Theatre Company from Wednesday 25th to Saturday 28th March.
Based on two of Dam Runyon’s short stories and written by Frank Loesser, Guys and Dolls is a fast paced and exciting musical concerning, as ever, love. Gambling fiend Nathan Detroit is in need of money to stage his crap game and he stages a bet with Sky Masterston that Sky cannot get the next ‘doll’ he sees to fall in the love with him. Unfortunately the next woman to walk through the door is local missionary Sarah Brown. With Sky’s attempts to woo Sarah Brown played out against Nathan’s longstanding engagement to showgirl Miss Adelaide, numerous other characters combine to make this an enchanting musical.
Every aspect of the performance was wonderful, with the students showing their theatrical vitality in a mix of singing, dancing and acting. The four main characters were superbly performed, with Sarah Brown played by Jenny Beddow and Laura Whitehouse, Nathan Detroit by James Newman, Miss Adelaide by Elise Biddulph and Amber Regan and Sky Masterston by Robbie Smith. The musical numbers were well choreographed and sung and the acting was carried out with comedic aplomb. Special mention must of course go to James Newman, who took the last two night’s performances in his stride despite having a broken arm. The orchestra was also great, providing fitting accompaniants to the singing, and kudos must go to all those who worked behind the scenes to help make this production as good as it was.























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